Où sont les Wisigoths en Toulouse?

Overall Impact:               – 0 stars – very little to see!

Access                                * 1 star – easy access to Museum, other areas difficult to find

Atmosphere                      * 1 star – you need to use your imagination to visualise Visigoths

Other                                  *** 3 stars – fascinating subject, but seemingly little local interest

Brief Historical Background

The Visigoths under Alaric sacked Rome in 410, seizing portable treasures.  Even Galla Placidia – the sister of Honorius, the Western Augustus – was captured.  On Alaric’s death his brother Athaulf succeeded him as leader and spent the years 410 to 415 operating in the Gallic and Spanish provinces, playing competing factions of Germanic and Roman commanders off against each another.  He captured Toulouse in 413 and married Galla Placidia in 414 as the Western Imperial Government started to come to terms with the Goths as useful allies.   Honorius’ regime used Athaulf to provide Visigothic assistance in regaining nominal Roman control of Hispania from the Vandals, Alans and Suevi.

In 418, Honorius’ regime rewarded his Visigothic allies, now under King  Wallia, by giving them land in Gallia Aquitania along the Garonne Valley with Tolosa (Toulouse) as their capital.  This is thought legally to have been achieved through hospitalitas – the rules for the billeting of soldiers.  At first the Visigoths were not given a large extent of landed estates in Aquitania but they did gain the right to the taxes of the region, so that the Gallic aristocrats, farmers and traders now paid their taxes to the Visigoths instead of to the Western Roman Government.

 

Settling a barbarian group effectively as a ‘state within a state’ within the boundary of the Empire was a novel and desperate measure, but it was a settlement which the Honorian regime – holed up within the walls of Ravenna, behind protecting marshes – grasped with some relief after Alaric’s sack of Rome in 410 and the chaos of the previous years.

Furthermore the Visigoths, like other barbarian tribes, were Arian Christians having been converted in the mid-Fourth Century when the Arian doctrine of the Trinity was the ‘orthodoxy’ of the Church and Emperor.  Arianism is the belief that Jesus Christ is the Son of God, who was begotten by God the Father at a point in time, and is therefore distinct from God the Father and therefore subordinate to the Father.  The Emperor Constantine at the Council of Nicaea in 325, and Theodosius at the Council of Constantinople in 381, had strengthened the Nicene formula of the co-essential divinity of the Son, applying to Jesus Christ the term “consubstantial”.  The 381 version speaks of the Holy Spirit as worshipped and glorified with the Father and the Son.  Thus Arians became heretics in the sight of the Empire.

The Visigothic Kingdom continued in Spain, but not in Toulouse, until the Muslim invasion of 711. Clovis welded together the Frankish Kingdom in the early Sixth Century, and in 507, with Burgundian assistance, he defeated the Visigothic King Alaric II at the Battle of Vouillé (Campus Vogladensis) near Poitiers and went on to capture Aquitania and sack Toulouse.  By 508 the Visigoths had lost their their grip on Aquitania and only retained the coastal strip called Septimania stretching from Narbonne and Nîmes.

Tolosa was the Visigothic capital for nearly a century – so can we find the remains of their regime?

They are very hard to find. We spent a few days haunting the museums and sites of Toulouse and there are not many traces and very little published information. What remains is generally described as ‘late antique’ rather than Visigothic, and there are few explicit references to the Visigothic period.

This post is about what we found.

 

 

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Map courtesy of ‘L’ancienne église Sainte-Marie ;a Daurade à Toulouse’ by Quitterie Cazes, published by Musée Saint-Raymond

Health Warnings

Two ‘health warnings’, though, are needed: first, it is not unreasonable to talk about ‘late antiquity’ since any existing buildings of Tolosa would, as part of the Empire, have been made use of by the new Visigothic rulers of the City after 413.  Furthermore, it is difficult to distinguish between the Orthodox (Nicene) churches and sarcophagi of the Fifth Century from the Arian ones of the Visigoths.

Secondly, because Alaric is thought in 410 to have carried off from Rome Titus’s booty from the Sack of the Jerusalem Temple, including the Menorah (the seven-branched candelabra), and because in the 13th Century Toulouse went on to become the centre of the Cathars and the Albigensian Crusade, one’s investigations can quickly stray into the misty world of pseudo-history and fictional conspiracy theory.  What follows in this blog does not touch on the fate of the Ark of the Covenant, the Priory of Sion – or the novels of Dan Brown!

Sarcophagi in the Musée Saint Raymond
In the museum basement there is a fine collection of late antique sarcophagi from across south-west France. The intriguing question is: are they from the Visigothic period, and are they Orthodox (Nicene) or Arian – and how would you tell?

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Model of the Apse of the Daurade Church in Arian Visigothic Days – model was in Musée Saint Raymond early 2017

The Daurade Church
One of the most tragic losses is the Daurade or ‘golden’ Church.  It seems likely that this was the Arian Church, close to the Visigothic Palace.  The church consisted of nave based on the classical Roman Temple of Apollo, a probably Fifth Century apse, and later additions. It was demolished for a grand but conventional French classical church of 1761. Frustratingly, we are left just with drawings of the impressive apse made before its destruction. One can only think, for a parallel, of the mosaics at San Appolinare Nuovo in Ravenna.

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Surviving early column and capital (or replica?) in a Chapel of the current Daurade Church

The demolition of a classical Temple with late antique mosaics puts one in mind of Charles V’s comment when he learned that the stunning mosque at Córdoba had had a standard C16th church inserted at its core. He reputedly said: “You have built here what you or anyone might have built anywhere else, but you have destroyed what was unique in the world.

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Only remaining piece of Daurade mosaics now in Avignon

All that survives are the late antique columns that were given away after the demolition in the C18th and a small fragment of mosaic with gold tesserae.

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Model of the Remains of the Visigothic Palace revealed in 1989 before their destruction.  Model was in Musée Saint Raymond early 2017.

The Visigothic Palace
This was discovered in 1989 adjoining the Roman city walls on the bank of the River Garonne, near the site of the NW gate of the Roman City.  Although the site was excavated and photographed, there seems to have been no detailed recording made of this unique site and the ruins were not preserved. An undistinguished development of 1990s apartments is no substitute.

Saint Pierre-des-Cuisines

This Church just outside the Roman Walls opposite the Palace and near the Garonne dates from the C5th and was built around a necropolis.  Its core is early and would date to the Visigothic period.

Wall in Jardin des Plantes

There is also a small surviving section of late antique wall in the south of the city in the Jardin des Plantes

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Reconstruction of Wall, Palace and Dourade area of Visigothic Tolosa courtesy of ‘L’ancienne église Sainte-Marie ;a Daurade à Toulouse’ by Quitterie Cazes, published by Musée Saint-Raymond

Toulouse under the Visigoths

Under the Visigoths, Toulouse appears to have prospered more than cities that remained at that time under imperial Roman rule.  Given the dominance of the Garonne Valley down to Bordeaux, and the conquest of Hispania and the Gallic Mediterranean sea-board, Tolosa – unlike many late antique cities – appears to have maintained its population levels.  It was the centre of an expansionist, although barbarian, Arian kingdom, one which was dedicated to preserving the civilisation that had laid the golden eggs.

Imperial Villa of Chiragan – Sculptures at Musée Saint Raymond Toulouse

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Portrait Bust of Augustus Maximianus

Overall Impact:               *** 3 stars – remarkable collection of sculptures BUT little context

Access                                **** 4 stars – in Musée Saint Raymond MSR with lifts

Atmosphere                      ** 2 stars – there could be so much more to say…

Other                                  ***** 5 stars – the artistry of the works is top quality!

On the first floor of the Toulouse Archaeological Museum (le Musée Saint Raymond) are the remarkable remains from the Villa of Chiragan at Martres-Tolosane on the River Garonne, some 60kms south-west of Toulouse. The museum claims, with only a little exaggeration, that ‘the sculptures extracted from this site are exceptional. No other villa in Europe has yielded so many works in marble’.

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Known of from the 17th Century, portrait busts of remarkable quality have been excavated. In 1826 the excavator wrote ‘every quarter of an hour I see a god, a goddess, an emperor come out of the bosom of the earth’. Many are recognisable imperial portraits while others have been interpreted as the procurators and administrators of the imperial domain of forests and quarries and of the imperial tolls and customs.

Excavations at the end of the 18th Century revealed a massive complex of buildings comprising both agricultural production with barns, stables and granaries, and a residence of over 200 rooms with a portico, baths and gardens. They cover 16 hectares in total!

Three broad phases of occupation have been identified. First, a modest villa from the time of Augustus with baths and a peristyle. Secondly, at the time of Trajan, an atrium and two peristyles are added. Finally, at the end of the Second Century, the villa reaches its largest extent and is occupied through to the reign of Arcadius and Honorius at the start of the Fifth Century.

The villa appears to have had a gallery where the portrait busts of Emperors from the First to Fourth Centuries were displayed. There were also many copies of famous Greek works of antiquity, of gods and goddesses, philosophers and satyrs.

The Labours of Hercules. To our mind the most exciting sculptures from the Villa of Chiragan are the reliefs of Hercules. They have been described as ‘baroque’ in style, which is anachronistic, but they are undeniably different from earlier classical statues. Given their scale and energy, they must have been extraordinarily arresting, especially since they were probably painted. It is thought that they were placed on a wall and separated by pilasters.

So what is this villa? It is clearly ‘Imperial’. The key clue seems to be in the largest central panel of the Labours of Hercules. Here we see Hercules killing Geryon, a giant who lived in Southern Spain, before stealing his cattle. The face of Hercules bears a striking resemblance to the portraits of Maximian, who Diocletian appointed in 286 as his fellow-Augustus of the West to share the burden of empire.

Curiously, the giant which Hercules/Maximian is subduing is depicted wearing a cuirass like a Roman general. Could this possibly allude to Maximian’s victories during his campaign against raiding Moors in 296 in Spain, before he crosses the Straits of Gibraltar and crushes the Berbers in 297-8? But the imagery surely makes better sense if it relates to Maximian and his Caesar Constantius crushing Roman usurpers such as the breakaway state of Carausius and Allectus in Britiannia?

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Hercules, who has the face of Maximian, defeating the 3 headed Giant Geryon who is clearly wearing Roman military gear and possibly represents the Usurpers defeated by Maximian and Diocletian as Augusti

Further credence is given to this identification by the strong association which Maximian had with the god Hercules and Diocletian with Jupiter – the premier Legiones Palatinae in the late Roman Army lists are the Ioviani and the Herculiani.

Also, there are portrait busts from Chiragan of Maximian and his wife Galeria Valeria Eutropia, and a youthful portrait of Maximian’s son Maxentius and his wife Valeria Maximilla. (Maxentius, who would have been 18 in 296, went on to be defeated at the Milvian Bridge by Constantine the Great in 312.)

So there must be a strong presumption that Maximian and his family stayed at Chiragan around 295-6 and had the Labours of Hercules carved for them. Maybe they also caused some other wonders to be built here in the foothills of the Pyrenees?