Tetrarchic Thessaloniki – The Arch of Galerius

Overall Impact:                *** 3 stars – the Arch is much reduced and damaged by atmospheric pollution. We approached with anticipation but were disappointed by its poor condition – nevertheless, it is a major statement of Tetrarchic power and ideology.

Access                                **** 4 stars – the Arch sits on what was in Galerius’ time and still is the main street of the City. Accessible 24 hours a day but be alert for traffic and touts.

Atmosphere                      * 1 star – it feels like a traffic island!

Other                                  * 1 star – there is only perfunctory explanation of what is a major late Roman monument, and its condition is deteriorating exposed to high levels of street pollution.

There are three linked remaining monuments of Galerius’ Imperial Precinct in Thessaloniki. The Arch sat across the Via Egnatia‘s exit from the City to the East towards Byzantium. The Imperial Palace lies 230m south of the Arch linked by a road, and the Rotunda Mausoleum lies 125m to the north linked by an arcaded road.

The Arch was an octopylon or eight pillared gateway, forming a triple arch (one central large arch, and two smaller side arches) with four pillars to the east and four to the west. All that is left are three of the western arches. The entire eastern four arches are gone as is the southernmost of the western arches. The two pillars flanking the central large arch retain their sculptures slabs.

The Arch celebrates Galerius’ victory over the Sassanids at the Battle of Satala and the capture of their capital, Ctesiphon, in 298AD.

Our ability to understand the meaning of the Arch is impacted by the loss of the majority of the marble panels. They show:

  • Galerius, supported by a wreath bearing eagle, in personal mounted combat with the Sassanid Narses, with terrified Sassanids cowering under the hooves of the Caesar’s horse. This may be artistic licence, however, as it seems unlikely they ever personally met in combat.
  • There is panel with a relief of the Imperial Family making a sacrifice in thanksgiving. This shows Valeria, who was former Emperor Diocletian’s daughter as well as being Galerius’ wife, giving him imperial legitimacy.
  • In another survivor panel the four Tetrarchs (the Augusti Diocletian and Maximian, and the Caesares Galerius and Constantius) are all in togas, while the personification of Victory holds out wreaths to the two Augusti.
  • The final surviving panel assert the Unity of the Tetrarchy through the depiction of the Tetrarchs standing together. Galerius is dressed in armour as he makes the offering on the altar.

The Arch is thus a celebration of Galerius’ victory but one achieved very much within the unity of the then-new Tetrarchic System.

City of Thessalonica

Overall Impact:                ***** 5 stars – Roman Thessalonica is, with Trier, the ‘go to’ site for remains of a Tetrarchic and Late Roman regional capital. The Arch of Galerius, together with his Palace and Mausoleum, give a sense of the grandeur and power of what was essentially a militarised state. The earlier Forum is large and well displayed.

Access                                *** 3 stars – Thessaloniki is Greece’s second city and the sites are scattered around a busy modern metropolis. So they are easy to access, with plentiful refreshment stops – but expect to walk some miles in the sun!

Atmosphere                      ** 2 stars – You will need to use your imagination to recreate the Roman City. Crowds and traffic surround the Arch of Galerius, which is missing large parts and heavily eroded by pollution

Other                                  **** 4 stars – There is something about Thessaloniki with its weight of Macedonian, Roman, Byzantine, Ottoman, Jewish and Greek history that gives it a special feel.

The preserved remains of the C1st Forum

Thessaloniki (Thessalonica or Salonica) was founded in 315BC by King Cassander of Macedonia, and named by him his wife (Alexander the Great’s half-sister) Thessalonike. In 148BC the City became the capital of the Province of Macedonia which the Romans had conquered in 168BC. In 41BC under Mark Anthony’s eastern regime the City gained free status.

The two Storey shopping arcade – nicely sheltered in Summer

The position of Thessaloniki is second only to Byzantium/Constantinople in the Region. The Via Egnatia from Dyrrhachium on the Adriatic to Byzantium on the Bosphorus runs through Thessaloniki. It is also at the southern Aegean Sea end of the principal north-south route through the Balkans along the Morava and Axios river valleys. It has a natural harbour opening onto sea-routes along the east coast of Greece and down to the Aegean Islands. Thessaloniki prospered greatly under the Principate and the principal visible remains of that period are to be seen in the Forum, which occupies a large area of the central City.

Having been a classical – in every sense of the word – Romanised Greek trading city during the Principate, the success of Christianity and the establishment of the militarised Dominate made Thessaloniki one of the most important imperial and therefore military bases of the late Empire.

The massive ruins of Galerius’ Palace

The principal remains of the Dominate, or Late Empire, result from the decision of Galerius to make it his capital under the Tetrarchy. Galerius was the trusted military colleague of the Augustus Diocletian and was appointed as his Caesar in 293AD. He successfully fought the Sassanid Empire, sacking Ctesiphon in 299AD, and defeated the Carpi across the Danube in 297 and 300AD. Like Diocletian an enthusiastic persecutor of Christians, Galerius belatedly issued the Edict of Toleration in 311AD before dying horribly, probably of gangrene – a fate celebrated by Lactantius in ‘The Deaths of the Persecutors’ (De Mortibus Persecutorum).  

It is to Galerius that we owe the triumphal arch, palace and mausoleum which taken together rival Trier as the most impressive remains of a Tetrarchic capital.

St Demetrius, founded c450, rebuilt several times, severely damaged in Great Fire of 1917, and reconstructed thereafter.

St Paul had visited the City on his Second Journey, visiting its chief Synagogue on three Sabbaths, and writing the First and Second Letters to the Thessalonians. As Christianity grew in strength it attracted both attention and persecution: Thessaloniki’s patron saint is the military martyr Saint Demetrius who was run through with spears on the the orders of the Emperor Galerius in 306AD. The relics of Saint Demetrius probably only arrived in the City when Sirmium was given up as the Army’s northern frontier base in 441/2AD. The Basilica dedicated to him was built in the mid-5th Century but was, alas, severely damaged in the Great Fire of 1917.

In 379AD the Emperor Theodosius divided the great Balkan and Danubian Prefecture of Illyricum in half, the eastern part having its capital in Thessaloniki. This meant that the defence of the Danube Frontier was split and this, in my view, caused a fundamental strategic weakening of Roman forces and focus in the key sector of the Frontier. It was the cause of continued strife between the Western and Eastern Empires. It is a division that has lasted and still today forms the dividing line between Orthodox and Roman Catholic Christianity; Serb and Croat; Cyrillic and Latin script.

Interior of Saint Demetrius from mid C5th, rebuilt after Great Fire in 1913.

The monuments of this third phase of Roman Thessaloniki are chiefly the churches. Chiefly, there is the Basilica of Sant Demetrius which appears to date from the mid-5th Century, but there are also other survivals: the Churches of the Acheiropoietos and of Hosios David date from the 5th Century. There are also the City Walls which have survived remarkably except on the sea-facing side. Although much knocked down and repaired over centuries of sieges, their core is of Late Roman brick and ashlar of c390AD.

The Walls of Thessaloniki built in the 390s

London Mithraeum

Overall Impact:                ***** 5 stars – This is the best theatrical treatment of a Roman site we have seen. Using sound and light Bloomberg takes you as observers of a Mithraic ceremony from the C4th. What survives are basically the foundations of the walls – but you feel there is far more.

Access                                **** 4 stars – The site is in the new Bloomberg Building in the City of London with a reception area, art exhibition and wall-mounted funds display at street level. In the first basement is a waiting area with narrated commentary, and one level below that the actual Mithraic chamber. All floors are fully accessible by lift and step-free.

Atmosphere                      ***** 5 stars – With light effects creating the missing columns and walls, and the ancient invocation to Mithras in Latin coming though the sound-speakers, the impression of being at a Mithraic ceremony is wonderfully created.

Other                                  **** 4 stars – This site really has a wow factor that other Roman sites in the UK don’t have. No wonder it’s a favourite with school groups (and public visits must be pre-booked in the summer).

The interior when the lights go up.

The Mithraeum was found in September 1954 during post-War bomb-site clearance around the course of the Walbrook River in the City of London. The site was originally on the east bank of the Walbrook. It was a major sensation when it was found with over 300,000 members of the public queueing up to visit the site. Amazingly high-quality statues of Mithras, Serapis and the bull sacrifice were found on the site, apparently buried in the 350s AD when the temple was given a new dedication to Bacchus.

The heads of Mithras and Serapis found buried in the Mithraeum. Serapis (right) is particularly fine.

By public demand, and after Questions in the House of Commons, the temple remains – which consisted of low-level walls – were transported some 100m away from their original location to an open-air site on Queen Victoria Street. The re-construction then was of the most basic kind, losing detail and plaster work, and was criticised at the time. The site remained there in wind and rain, a shadow of its former self, but remembered fondly by Londoners for its fame on discovery.

The reconstructed steps and the area behind the [modern] image of Mithras slaying the bull

In 2007 plans were formulated for the return of the Mithraeum to its original site. Given the pace of decay and renewal in the City of London, the post-war Bucklersbury House was due to be demolished and replaced by the new Bloomberg Headquarters. A full re-excavation of the Walbrook site was therefore undertaken. The waterlogged setting produced a wonderful variety of finds including organic remains and writing tablets with stylus impressions that have enabled messages to be reconstructed.

Bloomberg paid for the excavation and for the foundations of the Mithraeum to be moved back and this time properly re-constructed in their basement using the excavation reports and photographs from the 1950s as evidence. Plaster work was replicated and the physical remains returned to as near as possible their state when they appeared in the bottom of the bomb site. (Because there were some remains still in situ on the site, in order to protect these, the reconstruction still isn’t quite in the original spot!)

The best finds from the Walbrook site, on display in the Bloomberg Art Gallery at the entrance to the London Mithraeum – spear heads, household shrine, brooches, coins, writing tablets, steelyard, armour fastening, address on tablet and more armour fastenings.

Bloomberg then invested in a visitor experience with an art gallery at the entrance with a beautifully-designed wall display of the best finds from the Walbrook. These are carefully conserved and very well lit. And, for once, the iPad interactive catalogue is easy to use and adds real value to one’s understanding of the artefacts.

One floor down, there is a waiting area with audio-visual displays on the Cult of Mithras, from which the visitors are conducted down to a lower level where the Mithraeum is only dimly visible in the murk. There is then a 4-and-a-half minute son et lumière display that recreates the sounds of a Mithraic Ceremony followed by a ritual feast (surprisingly thought to have been of chicken, not beef). The Latin words you hear are actually taken from the walls of a Mithraeum found in Rome. This frankly could have been tacky if poorly done – but in fact we found it to be both atmospheric and mesmeric.

Where the image of Mithras slaying the Bull should be there is this helpful reconstruction.

All of this is well carried out, supported by enthusiastic and well briefed staff who are keen to answer questions and show you photographs of the original 1950s dig.

All in all, a really great experience for Roman enthusiasts, tourists and school parties!