Italica near Seville

Overall Impact:                **** 4 stars – Italica delivers a mixed impression with a massive amphitheatre and high quality mosaics – but hard to understand as a major City.

Access                                *** 3 stars – road access to site entrance

Atmosphere                      ** 2 star – Italica is a site that is hard to make sense, although with star elements

Other                                  **** 4 stars – birth-place of 3 Emperors!

Italica should impress more, it is after all the birthplace of two of unquestionably the most important Roman Emperors – Trajan and Hadrian in the 2nd Century CE, and possibly a third Theodosius I of Great in the 4th Century.

It has the third largest amphitheatre in the Empire, and some remarkable mosaics – including a very witty Neptune with putti hunting  crocodiles and fighting cranes and a delightful one with bird pictures.  What is more when we were there after a very rainy winter day, the sewer system still appears to function.

The Seahorse mosaic in one of the mansions in Italica.

Perhaps it’s the contrast with the altogether amazing Merida which we had just visited the day before, that seems to put Italica in the shade?  Maybe the restored walls and portico pillars that line Hadrian’s wide avenues in the New Town, are just too neatly finished?  Maybe its the worry induced by at least three world class mosaics being open to all the elements has to throw at them?

Italica was founded as far back as 206 BCE by the great general Publius Cornelius Scipio, later called Africanus after he defeated Hannibal at Zama.  His great victory over Hannibal’s brother Hasdrubal at Ilipa was just up the road and Scipio settle his veterans from Italia, in Italica to dominate the areas around the River Guadalquivir.

The ‘Birds’ Mosaic at Italica.

Scipio’s Old Town lies under the modern Santaponce.  Trajan was born in Italica on 18 September 53 CE in Italica in a non patrician family of Italian and possibly Iberian origin.  Hadrian was born in Italica on 24 January 76 CE and was the adopted heir of the childless Trajan, who was the maternal cousin of Hadrian’s father.

The substantial remains of the Amphitheatre at Italica, which with CGI additions was used as a set for Game of Thrones.

Hadrian expanded Italica northwards with the New City, and made it a Colonia Aelia Augusta Italica.  He added temples including a meassinve Trajaneum and built the amphitheatre that could seat 25,000 spectators – half the Colisseum itself.  This was both a bold statement and a massive financial commitment to funding Games and Spectacles by the local elite of Italica.  Large well appointed houses were built for this elite in the City.

It is therefore perhaps not surprising that Italica’s prosperity shrunk with the end of the Antonine Dynasty with which it was so closely connected.  Also the River Gaudalquivir had shifted course and silted up, which favoured Hispalis (modern Seville).

General Views across Italica.

Italica carried on in a reduced state like a dowager fallen on hard times.  It was used as a stone quarry by Moors and Christian regimes alike.  Today it has some monuments like the Amphitheatre, but not much extraordinary to excite the visitor, except it’s general size and the memories of Trajan and Hadrian.

Italica in Summary

Italica is a large and sprawling site. The Amphitheatre is massive and impressive. The rest of the site has striking mosaics but how they fit in the houses is difficult to understand. The overall picture of how the City functioned is hard to fathom.

Musée Romain de Lausanne – Vidy

Overall Impact:                **** 4 stars – small Museum but some stunning finds well set out

Access                                ***** 5 stars – easy access by all modes – it’s Switzerland after all!

Atmosphere                      **** 4 star – works admirably hard to relate finds to excavations

Other                                  *** 3 stars – great to find so much so well done for what is, when all said and done, a quite minor site!

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A reconstruction of the Roman house where the Museum is situated – note its suggested grand entrance pillars

The best finds from Roman Lousonna are displayed in a modern building situated within the surviving foundations of a very grand Roman merchant’s house with warehouses attached (or that is what it appears to have been).   You enter pay your CHF8 (concessions CHF5 and children free) then climb upstairs above walls with preserved painted wall plaster.

The quality of the finds from this small Gallo-Roman town of the Helvetii rather put the finds from small Roman towns in Britannia to shame – or at least it felt that way to us.  Here are just a few examples:

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A complex locking bar and key

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A bronze votive showing a libation being poured over a bull prior to sacrifice

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The standard of carving is very fine – note the reference to Lousonna

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The extraordinary horned head – maybe the god Cernunnos who appears on the Pillar of the Boatmen from Lutetia (Paris) now in Musée de Cluny?

The quality of carving on the various inscriptions is very fine. We thought the finest single artefact was the small but very detailed bronze relief of a priest pouring a libation over the unfortunate bull prior to sacrifice, thought to be a decoration from an altar.

The models of Lousonna are of the highest standard, comparable to the wonderful building models in the Museum of London’s Roman Galleries.   There is an English catalogue you can borrow to carry round with you, although sadly not available to purchase.

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Finally, the Museum goes to some effort with a re-construction of a sizeable cross-section of the excavation in a mock-up of a site hut, together with finds records etc on the wall to show how the dig had taken place.

So if you are in the area, don’t miss Lousonna!

Lousonna (Lausanne – Vidy)

Overall Impact:               *** 3 stars – a nicely presented and well-maintained small town

Access                                ***** 5 stars – carpark next door, cycle, walking and Swiss buses

Atmosphere                      ** 2 stars – perfunctory pond for former lake-edge helps, as do the inventive Swiss visualisations

Other                                  ** 2 stars – you can get a feel for what it would have been like

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View over the offices along the north side of the Basilica.  One of the curious Swiss reconstruction viewing boxes can be seen.

As excellent as it was unexpected, we stumbled across the Roman small town of Lousonna on a visit to Lausanne, Switzerland, last week.

If you walk, cycle or drive along the shore of Lake Geneva (Lacus Lemannus) westwards from the Chateau of Ouchy, in the direction of Geneva, in about 2km (just past the modern offices of IMD) you come to a well-signposted Site Romain.  (Ouchy, by the way, is where Lord Byron wrote “The Prisoner of Chillon” in a comfortable lakeside cafe and where the Peace Treaty of Lausanne with Kemal Ataturk’s resurgent new state of Turkey  was signed in 1923.)

There is an extensive car park at the site, for those enjoying the lake and its many leisure facilities.  The site is open and generally well-cared for. Its reconstituted walls that will remind any of us who, as children, visited castles and abbeys across the UK of the well disciplined approach of the old Ministry of Public Building & Works!

 

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The plan is clear and presumably simplified for display purposes to a single final phase: here we see Lousonna at the height of its prosperity in the C3rd.  It is particularly helpful for understanding the site that the location of the former Roman waterfront of Lake Geneva has been recreated by a (slightly brackish) linear pond.   There are several plans set up around the site showing the key buildings, which consist of a rather impressive but curiously one-sided Basilica with the Hall on the lake-side and rooms opening off it on the land-side only.  The Basilica was 71m long by 19m wide with large pillars.  It is dated by the excavators to AD40 with later additions.

 

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The Basilica with its substantial pillars – note the very solid consolidation.

The Basilica has a open Forum behind it with a typical square ‘Celtic’ temple familiar from Britannia.  On the lakeside next to the Basilica there is a ‘sanctuary’ with three ‘chapels’.  Here, according to inscriptions and figures discovered there and interpreted in the explanatory leaflet, Neptune, Hercules and Mercury were worshipped in order to safeguard Navigation, Voyages and Commerce.   There was also on the lakeside another very solidly built building, possibly a warehouse?

Across the site are reconstructions interpreting the remaining foundations, which can be viewed through eye pieces set in very-solidly Swiss-built metal viewers.

 

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Looking through the viewer at an optical reconstruction based on the site foundations: here is the Temple.

All in all, you can get a feel for what this prosperous small Roman town on the lakeside grew into at its height.  The excavators estimate the population as 1,500 to 2,000, composed of merchants, fishermen, craftsmen and their families.  It was situated in a prime position on the routes between the Rhine and the Rhone, with good farming land beside the lake and a very pleasant climate facing south across the Lake.  Vines still fill the slopes of the Swiss Jura, with excellent wines that the Swiss very sensibly keep to themselves rather than export.

However, there is more: if you walk north-west past a (rather disappointing and poorly maintained) mosaic in a cover building in a road embankment and some current IOC construction, then through an underpass under the main road, you reach a modern Roman site Museum constructed within the foundations of a very grand house attached to workshops/warehouses: see our review of the Roman Museum of Lausanne – Vidy.  

 

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Reconstruction of the ruins of Lousonna in the C5th (in the Roman Museum).

In the C4th the town was partially abandoned and the inhabitants move to the defensible hilltop of medieval and modern Lausanne Cité.  There could be no clearer indication of the impact of the failure to secure the Empire’s border on the Rhine against barbarian raids in the C3rd and C4th.

Tarragona (Roman Tarraco)

We visited Tarragona just after the New Year when there were no crowds; it was chilly but with warming sunshine.  

If you are coming from Barcelona, come off the toll motorway AP7 onto the A7 and then the A340, so you can enter Tarragona along the course of the ancient long-distance road, the Via Augusta.  It is pleasing to see the city’s Roman name still celebrated today, with a large Tarraco sign at a roundabout.

Another advantage of this route is that you pass the Tower of the Scipios, a late First-Century BC funerary monument.  Nothing to do with the Roman family of the Scipios themselves, but a striking survival and a taste of things to come!

Brief History of Tarraco

Tarraco was probably an Iberian settlement before its fortification by the brothers Gnaius Cornelius and Publius Scipio in 217BC at the start of the Second Punic War, and building of a military port – Tarraco Scipionum opus, as Pliny the Elder says.

It was Scipio Africanus’ base from 211 – 210BC, where he met the Iberian tribes in conventus.  During the long conquest of Hispania, Tarraco remained a supply base for the Roman military and capital of Hispania Citerior.  It became a Roman Colony around 45BC after Caesar’s victory at Munda in the Civil War, so added Iulia to its name.

Augustus resided in Tarraco in 27BC whilst overseeing the completion of the conquest and he reorganised the Provinces, Hispania Citerior becoming Hispania Tarraconensis,  with about two-thirds of the land area of the Iberian Peninsula ruled from Tarraco.  As befits a major provincial capital Tarraco prospered and a theatre was built.  The trans-Peninsular road was restored as the Via Augusta and a Temple to the Deified Augustus was erected in 15AD after his death.

Vespasian, as in Britain, was a keen organiser of and investor in the Provinces.  After his victory in the Civil War of AD69 he addressed Hispania, with Latin citizenship being granted to its inhabitants and the former tribal areas, and cities re-organised into areas focused around urban centres – both colonies and municipalities.  This required the establishment of the Provinciae Concilium as a centre of Roman and Hispanic pride.

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Inscriptions to Flamines and Flaminicae – priests and priestesses of the Provincial and Imperial Cult – have been found: these two are dedicated to Flaminicae from the Second Century AD?.This image has an empty alt attribute; its file name is img_2987.jpg

Tarraco, as befitted the provincial capital, received a whole new urban quarter with a provincial Forum for the administration, a Temple to the Imperial Cult and subsequently a Circus – see the model above.

Following this Tarraco prospered for 150 years but, along with the much of Roman Gaul and Spain, the city declined in the Third Century AD and was merely one of six provincial capitals under Diocletian.  It was occupied by the Visigoths in 476 and by the Muslims in 713.

The Remains 

The Roman Remains of Tarraco are deservedly a UNESCO World Heritage Site.  For the visitor they consist of three areas:

  • the original lower town around the port with its own ‘colonial forum’ and theatre
  • the upper town, probably occupied by military installations in the Republican Period but developed as the Provincial Centre under Vespasian and Domitian, with Temple, Provincial Forum and Administration, and Circus.
  • sites outside the city including an Aqueduct, Arch and roadside funerary monument.

The Circus

Entering by the Via Augusta you arrive in the centre of the old City, to be confronted on your right by medieval walls built around the Roman Circus.  Try and find the nearest car park (helpfully signed), which is conveniently situated under the Placa de la Font with the Ajuntament (City Hall) at its end.  This long rectangular space occupies more than a quarter of the former Circus.  Walk from the Placa towards the Sea and you will find the remains of the curved end of the Circus.

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The Circus was 290m long and 65m wide, and was part of the major investment in Tarraco as the Provincial Capital of a re-organised Hispania under Vespasian, with the work probably completed under Domitian.  The site is well displayed and, although converted into fortifications in the Middle Ages and partly blown up in the French Siege of 1811, provides a good impression of what the Circus looked like.  The Tarragona authorities have invested in digital tools and you can download a free location-based App that enables you to visualise the Circus and other key sites in Roman times.  All you need to do is to  download it onto your phone then scan the bar codes at the sites.

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The key remains of the Circus are the remaining tunnels under the curving end of the course and for some way under part of the former seating on the north side of the Circus.

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The Temple of Augustus

Remarkably, the walls of the temenos (the sacred enclosure) are preserved in the buildings around the Cathedral Cloisters, now the Cathedral Museum – see above.  Unsurprisingly, the 12th-Century Cathedral occupies the same site as the Temple of Augustus, at the highest point of the hill above Tarraco.

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The Provincial Forum

It was started in 73AD under Vespasian and was situated up the hill from the original settlement.  It is thought to have consisted of buildings for the Provincial Council (see above), a Curia (senate house), an Audience Hall for the Governor and the Temple of Augustus, plus offices for the provincial financial administration and archives.

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The Amphitheatre

Given that gladiatorial combats had to take place outside the walls, Tarraco‘s Amphitheatre was situated towards the sea, and can be viewed well from the top of the Roman and Medieval tower termed the Praetorium.  It was built at the end of 1st Century BC, presumably when Tarraco became a Colony for Civil War veterans who liked and could afford such entertainments.  It is estimated that it could hold 15,000 spectators.

Having been through many vicissitudes over the millennia, as a prison, a convent and so forth, the seating on the sea-side is still there but the central arena, as so often, is cut by the under-surface corridors and remains of later buildings which spoils the effect somewhat.  This means that modern gladiatorial reconstructions are restricted to a quarter of the original surface area.

The Colonial Forum

Down the hill in the main town lie the remains of Forum of the Colony as opposed to the Province.  There is a reconstructed column, which you often find in excavated forums (see Thessaloniki) and a few arches – a site for the completists.

The Theatre

Taking advantage of the slope down to the port, under Augustus the Roman Theatre was built facing the port.  There is a viewing platform where the key remains can be seen, including some surviving seating and the foundations of the scaena.  However, it’s not Merida!

Walls of Tarraco

The Walls are, as with so many sites where there has been continuity of occupation (Exeter in Britain has similar layers), a confusing mixture of pre-Roman, Roman, late Roman, Muslim and Medieval additions.   However, it is claimed that the circuit of the old Quarter for over 1km are fundamentally Roman and there is a pleasant promenade – the Passeig Archeologic – from which they can be viewed.

Ferreres Aquaduct

The Aqueduct is located 4km north of the city and brought water from the River Francoli 15kms north of Tarraco.  It is thought to date from Augustus’s time in the City and is composed of two imposing levels of arches, with a maximum height of 27m and a remarkable length of 249m.

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Tower of the Scipios

This is a a funerary monument situated on the Via Augusta 6km east of Tarraco.  It is decorated with two reliefs – now much weathered – of the god Attis, deity of death and resurrection.  For years these were identified as the Scipio brothers, founders of Roman Tarraco.

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Triumphal Arch of Bera

A further 15kns NE of the Tower of the Scipios along the Via Augusta is the Arch of Bera.  It was erected, as its inscription informs us, because of a bequest by Lucius Licinius Sura in 13BC, and is thought to be dedicated to Augustus and to mark the limit of the Colony of Tarraco.

Tarraco in Summary

As can be seen from the descriptions above, none of the surviving remains is, individually, the best or (with the exception of the Aqueduct) even nearly the best in the Empire.  However, like one of your best creations in the wonderful game ‘Caesar III’, Tarraco has one of everything that matters – Amphitheatre, Theatre, Circus, Walls, Temple of Augustus and so forth.   It is also very well displayed and the citizens of Tarragona are clearly proud of their Roman heritage: a lot of effort has gone into their digital support to try and bring the ruins to life.  So it is well worth a visit.  

Top Tips

The Archaeological Museum is at present closed for renovations.  It was reputedly excellent. Avoid Sundays and Mondays when many of the sites are closed!

Tarraco – A Confession

We visited as a family with a toddler which meant that we could not in the time available, having driven down from Barcelona, visit all the sites ourselves.  Although we saw the main ones, as the photos prove, we have had to cover some of the others from online sources.  We wanted to do this so we could publish this blog and encourage Roman enthusiasts to visit this delightful and fascinating City that really values its Roman Heritage.