Où sont les Wisigoths en Toulouse?

Overall Impact:               – 0 stars – very little to see!

Access                                * 1 star – easy access to Museum, other areas difficult to find

Atmosphere                      * 1 star – you need to use your imagination to visualise Visigoths

Other                                  *** 3 stars – fascinating subject, but seemingly little local interest

Brief Historical Background

The Visigoths under Alaric sacked Rome in 410, seizing portable treasures.  Even Galla Placidia – the sister of Honorius, the Western Augustus – was captured.  On Alaric’s death his brother Athaulf succeeded him as leader and spent the years 410 to 415 operating in the Gallic and Spanish provinces, playing competing factions of Germanic and Roman commanders off against each another.  He captured Toulouse in 413 and married Galla Placidia in 414 as the Western Imperial Government started to come to terms with the Goths as useful allies.   Honorius’ regime used Athaulf to provide Visigothic assistance in regaining nominal Roman control of Hispania from the Vandals, Alans and Suevi.

In 418, Honorius’ regime rewarded his Visigothic allies, now under King  Wallia, by giving them land in Gallia Aquitania along the Garonne Valley with Tolosa (Toulouse) as their capital.  This is thought legally to have been achieved through hospitalitas – the rules for the billeting of soldiers.  At first the Visigoths were not given a large extent of landed estates in Aquitania but they did gain the right to the taxes of the region, so that the Gallic aristocrats, farmers and traders now paid their taxes to the Visigoths instead of to the Western Roman Government.

 

Settling a barbarian group effectively as a ‘state within a state’ within the boundary of the Empire was a novel and desperate measure, but it was a settlement which the Honorian regime – holed up within the walls of Ravenna, behind protecting marshes – grasped with some relief after Alaric’s sack of Rome in 410 and the chaos of the previous years.

Furthermore the Visigoths, like other barbarian tribes, were Arian Christians having been converted in the mid-Fourth Century when the Arian doctrine of the Trinity was the ‘orthodoxy’ of the Church and Emperor.  Arianism is the belief that Jesus Christ is the Son of God, who was begotten by God the Father at a point in time, and is therefore distinct from God the Father and therefore subordinate to the Father.  The Emperor Constantine at the Council of Nicaea in 325, and Theodosius at the Council of Constantinople in 381, had strengthened the Nicene formula of the co-essential divinity of the Son, applying to Jesus Christ the term “consubstantial”.  The 381 version speaks of the Holy Spirit as worshipped and glorified with the Father and the Son.  Thus Arians became heretics in the sight of the Empire.

The Visigothic Kingdom continued in Spain, but not in Toulouse, until the Muslim invasion of 711. Clovis welded together the Frankish Kingdom in the early Sixth Century, and in 507, with Burgundian assistance, he defeated the Visigothic King Alaric II at the Battle of Vouillé (Campus Vogladensis) near Poitiers and went on to capture Aquitania and sack Toulouse.  By 508 the Visigoths had lost their their grip on Aquitania and only retained the coastal strip called Septimania stretching from Narbonne and Nîmes.

Tolosa was the Visigothic capital for nearly a century – so can we find the remains of their regime?

They are very hard to find. We spent a few days haunting the museums and sites of Toulouse and there are not many traces and very little published information. What remains is generally described as ‘late antique’ rather than Visigothic, and there are few explicit references to the Visigothic period.

This post is about what we found.

 

 

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Map courtesy of ‘L’ancienne église Sainte-Marie ;a Daurade à Toulouse’ by Quitterie Cazes, published by Musée Saint-Raymond

Health Warnings

Two ‘health warnings’, though, are needed: first, it is not unreasonable to talk about ‘late antiquity’ since any existing buildings of Tolosa would, as part of the Empire, have been made use of by the new Visigothic rulers of the City after 413.  Furthermore, it is difficult to distinguish between the Orthodox (Nicene) churches and sarcophagi of the Fifth Century from the Arian ones of the Visigoths.

Secondly, because Alaric is thought in 410 to have carried off from Rome Titus’s booty from the Sack of the Jerusalem Temple, including the Menorah (the seven-branched candelabra), and because in the 13th Century Toulouse went on to become the centre of the Cathars and the Albigensian Crusade, one’s investigations can quickly stray into the misty world of pseudo-history and fictional conspiracy theory.  What follows in this blog does not touch on the fate of the Ark of the Covenant, the Priory of Sion – or the novels of Dan Brown!

Sarcophagi in the Musée Saint Raymond
In the museum basement there is a fine collection of late antique sarcophagi from across south-west France. The intriguing question is: are they from the Visigothic period, and are they Orthodox (Nicene) or Arian – and how would you tell?

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Model of the Apse of the Daurade Church in Arian Visigothic Days – model was in Musée Saint Raymond early 2017

The Daurade Church
One of the most tragic losses is the Daurade or ‘golden’ Church.  It seems likely that this was the Arian Church, close to the Visigothic Palace.  The church consisted of nave based on the classical Roman Temple of Apollo, a probably Fifth Century apse, and later additions. It was demolished for a grand but conventional French classical church of 1761. Frustratingly, we are left just with drawings of the impressive apse made before its destruction. One can only think, for a parallel, of the mosaics at San Appolinare Nuovo in Ravenna.

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Surviving early column and capital (or replica?) in a Chapel of the current Daurade Church

The demolition of a classical Temple with late antique mosaics puts one in mind of Charles V’s comment when he learned that the stunning mosque at Córdoba had had a standard C16th church inserted at its core. He reputedly said: “You have built here what you or anyone might have built anywhere else, but you have destroyed what was unique in the world.

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Only remaining piece of Daurade mosaics now in Avignon

All that survives are the late antique columns that were given away after the demolition in the C18th and a small fragment of mosaic with gold tesserae.

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Model of the Remains of the Visigothic Palace revealed in 1989 before their destruction.  Model was in Musée Saint Raymond early 2017.

The Visigothic Palace
This was discovered in 1989 adjoining the Roman city walls on the bank of the River Garonne, near the site of the NW gate of the Roman City.  Although the site was excavated and photographed, there seems to have been no detailed recording made of this unique site and the ruins were not preserved. An undistinguished development of 1990s apartments is no substitute.

Saint Pierre-des-Cuisines

This Church just outside the Roman Walls opposite the Palace and near the Garonne dates from the C5th and was built around a necropolis.  Its core is early and would date to the Visigothic period.

Wall in Jardin des Plantes

There is also a small surviving section of late antique wall in the south of the city in the Jardin des Plantes

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Reconstruction of Wall, Palace and Dourade area of Visigothic Tolosa courtesy of ‘L’ancienne église Sainte-Marie ;a Daurade à Toulouse’ by Quitterie Cazes, published by Musée Saint-Raymond

Toulouse under the Visigoths

Under the Visigoths, Toulouse appears to have prospered more than cities that remained at that time under imperial Roman rule.  Given the dominance of the Garonne Valley down to Bordeaux, and the conquest of Hispania and the Gallic Mediterranean sea-board, Tolosa – unlike many late antique cities – appears to have maintained its population levels.  It was the centre of an expansionist, although barbarian, Arian kingdom, one which was dedicated to preserving the civilisation that had laid the golden eggs.

Dura Europos Room at Yale University Art Museum

Overall 4**** A hotly-disputed four, given the points below. 
Display 3*** Let down by minimal labelling and not much context. Very much the academic art-historical approach – given where it is, not surprising. 

Access 4**** It’s at Yale in New Haven CT, so a long way to go – we drove for 2 hours from Boston!  But it’s free and there is easy parking near. 

Atmosphere 3*** Studious art-historical setting. Given what they have, they could make of their unique Roman exhibits. 

Other 6****** This rating is in recognition of the uniqueness of the finds – the only legionary shield – and its decoration intact; the only figurative synagogue decorations; the only intact Mithraeum decorations; and one of only three sets of cataphract armour!
In  1920 a British Army unit occupying former Ottoman territory stumbled across wall paintings in the ruins of the City of Dura Europos on the banks of the River Euphrates.  They notified the eminent American archaeologist Professor Breasted of the University of Chicago.

Dura had been founded on the upper Euphrates by the Hellenistic ‘Successor’ Seleucids around 300BCE, and had been taken over by the Parthians in C2BCE, becoming a major fortified crossroads of East-West trade.  It was captured by the Romans in AD166 during Verus’ Parthian War.  It then formed a frontier garrison on the Euphrates for the Romans with strong influence and troops from the Roman ally of Palymra.  In 256AD the Sassanids, the successors of the Parthians in the East, besieged Dura successfully and sacked it.  

The excavations at the site at Dura in the 1920s and 1930s were led by a Yale University team lead by the Russian emigré Prof Rostovtzeff and the French Academy of Inscription and Letters.  Owing to the siege that led to the end of Dura and its abandonment, many remarkable and unique finds dating principally from the Tge Third Century AD were uncovered.  The Romans had reinforced their most vulnerable sector on the west of the city by piling up earth and sand behind the walls, thus hermetically sealing a whole sector of the city.  Furthermore, the Sassanids and Romans mined and countermined under a tower which then collapsed, entombing both Roman and Sassanid soldiers.

The Yale expedition took their share of the finds home and these are well displayed in the Yale Art Gallery in New Haven, Connecticut.  

A connecting theme of the Yale displays is the co-existence of many cultures and religions in this Roman frontier city.  There is evidence of Latin, Greek, Palmyrenean, Hebrew, Safaitic and Pahlavi being spoken.  Turning to religion, there are temples to the eastern gods of Syria, the local deity Dolichenus being associated with Jupiter from the Roman Pantheon.  There is an early example of a Christian house church with a baptistery.  There is synagogue with painted ceiling tiles, showing figurative art previously not recognised in Jewish art.  Perhaps most extraordinary of all is a well-preserved Roman Mithraeum intact paintings, set up by a unit of Palmyran horse archers.  Finally, there is a painting of a dedication by a Roman tribune and his unit to three deified Emperors in military uniform.  Taken together, this is a stunning assemblage of mid-Third Century AD religious items and paintings reflecting the great diversity of beliefs and religions in the Empire at this period.  

The other extraordinary assemblage of finds is the military remains.  There is a unique legionary semi-cylindrical scutum and a large oval auxiliary shield.  Both are painted, with the scutum preserving remarkably clear decorations. The display does not offer any interpretation of the motifs on the scutum, but we think the lion suggests an association with Legio XVI Flavia Firma which was based in the Province in that era and had proven tunnelling expertise from the port of Selucia.

Alas, the oval shield has not been so well preserved, but watercolour paintings of this and two others made at the time of the excavations fortunately record the very intricate and colourful patterns.  
Even more remarkable are the circumstances of the finds.  Deducing what happened from the excavations, it seems that in AD265 the Sassanid besiegers dug a mine under a tower of the western wall of Dura. The Romans, hearing their approach, dug a counter-mine and broke in to the diggings.  However, the Sassanids had prepared counter measures of pitch, sulphur and bitumen that gave off deadly gases in the confined space. 

The Sassanids then seem to have piled up about 20 dead Roman soldiers, complete with their shields, into a barrier whilst they prepared to demolish the tower by setting fire to the props of the tunnel with more bitumen.  The Sassanid soldier who set the fire put down his helmet and sword, but lingered too long and was overcome in his turn by the fumes.


There are many other interesting finds in the Museum including Palmyran sculptures and everyday items of life from the city. 

Here are some more photos from this stunning set of finds.