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Weissenburg Introduction and Museum

Introduction

We wanted to get away somewhere Roman for the weekend – so what better place to go than the Raetian Limes in Southern Germany?  We flew to Munich, then drove to Weißenburg on Saturday and Aalen on the Sunday, which gave us five interesting – indeed outstanding – sites to review.  So here’s our first review: the Limes Centre and Museum in Weißenburg.  

We first visited Weissenburg’s Roman sites in 1991, just after they had opened the cover building for the baths and built a reconstruction of the north gate. In fact, it was a picture of that gate in all its glory, illustrating a brochure of B&Bs in Southern Germany, which originally attracted us to visit Weißenburg.

The Lutheran Church with Martin Luther Statue.

Weißenburg is a prosperous small manufacturing town in Middle Franconia, now part of Northern Bavaria, with a beautifully preserved historic centre, nice cafés and a remarkable Roman history. It was one of those fascinating micro-states – a free Imperial City from the late Middle Ages until Napoleon ended the Holy Roman Empire.

Biriciana was one of the largest forts on the Raetian Limes, the land frontier stretching from the Danube at Eining, running roughly along the watershed, and meeting the north/south Upper German Limes at Lorch. The fort – 3 hectares in size – was garrisoned from Trajanic times by the Ala I Hispanorum, a cavalry unit of approximately 500 troopers.

There are three Roman Sites to see in Weißenburg:

  • The fort site with reconstructed gate
  • The Baths
  • The Museum and Limes Visitor Centre.
Model Reconstruction of the Baths

There’s so much to enjoy – so we will just cover the Museum here and then post separately on the Fort and the Baths.

The Museum and Limes Visitor Centre

The Museum

Overall: ****   4 stars – Excellent Limes Museum focusing on the Raetian Limes, with outstanding finds from the Weißenburg vicus.  A must-see if you are in Bavaria. 

Roman Features:  ****   4 stars – The impact of the display of votives had stuck with us from 1991!   Nowhere we know of has something like this and the statuettes are also unique – and here we are right on the edge of the Roman World!

Display:  ****  4 stars – Very good (with just one nitpick – the spotlights on the votives were out of order, meaning the silver does not currently gleam as it does in our memories!)  The other finds, including the helmets, are well displayed and the explanation of the context of the Raetian Limes and its garrison is outstanding. 

Reconstructions: * 1 star – The ground floor auxiliaries are dressed up manikins (which is always slightly weird) and the perspex models are fine but don’t add much to one’s understanding. 

Access: *** 3 stars – A well-converted historic building with a lift.  Some display areas dark (for atmosphere). Captions mainly in German (unlike some Limes sites). No obvious parking nearby.

Atmosphere: **** 4 stars – The top floor displays are highly atmospheric.

Other *** 3 stars – There is some useful material on the Raetian Limes on the ground floor.  The Museum has just published a top-notch guide (in German) to its collections which has fine photos graphs, maps and graphics; which add context. There is the usual rack of leaflets on other Roman sites, but not as much as we had hoped for.

You really have to see Weißenburg if you can!

Since we visited in 1991, the Museum has greatly expanded and secured recognition as the Bavarian Limes Visitor Centre. This has resulted in some expensive (but not particularly informative) displays on the ground floor, with the obligatory manikins dressed up as Roman auxiliary cavalry and infantry. There are some rather nice site models. But the reason you are here is upstairs – it amazed us nearly 30 years ago and amazed us again now!

We had very high expectations about this latest visit, having last been here in 1991 – attracted by the reconstructed Gate, then a bit of an exotic rarity even in Germany!  A lasting memory was the display of silver votives of great delicacy shining in their display cases in a rather quaint and (back in those days) seemingly low security museum. 

Weißenburg Fort was founded as a cavalry fort, probably in Trajan’s reign when the frontier moved north from the Danube to the watershed between the Danube and the Main.  (Intriguingly, this is where Charlemagne planned the first canal to connect the Rhine and Danube.). Together with the whole Raetian frontier, Weißenburg fell – or was given up – in 264AD.  During its occupation, an extensive vicus grew up on the west side with a major set of baths to serve the well-paid Auxiliary Cavalry troopers  – more about this site in a later blog.

Some of the contents of the buried horde, viewed from above.

That the abandonment of the Limes and their forts  was a sudden, violent and dramatic occurrence is shown by the deposit of many valuable objects in a box buried in the main street of the Vicus.  Fortunately the contents of the box weren’t found until 1979 when the votives, statuettes and other objects were scientifically excavated and preserved.  There are various theories about the reason for it being there – temple offerings, everybodies’ valuables or even a trader’s stock in trade.

These finds form the star exhibits at the Weißenburg Museum where the three top rooms on the 3rd floor display the votives and statues with dramatic lighting.   The first room contains displays about the campaigns of the 3rd Century and the demonstrate of the Raetian Limes in 254AD.  

The three sports helmets with face-masks in the central room are particularly striking and well displayed. The Roman cavalry auxiliaries practised evolutions like the Cantabrian Circle using sports equipment – face masks like these and spears without heads – to demonstrate their skills. The ‘teams’ were thought to be Trojans, Alexander and Amazons. These convey the wealth, sophistication and effortless superiority of the Roman cavalry. As in the 19th Century these cavalry regiments clearly saw themselves as superior to the auxiliary infantry and, indeed, all ranks of a cavalry Ala received about a third more pay than their equivalent in a Roman Legion!

These are high-quality finds from the Hoard.

The room on the right, with subdued lighting, contains all the pots and pans that were found in the buried chest with the helmets. These are also of the finest quality and in a wonderful state of preservation, and show the very high level of material culture in the vicus of Biriciana. You surely would not put these items in the ground if you had some way to take them with you – so the strong inference must be that the Roman citizens of Biriciana had very little time to leave when the end came!

The room on the left contains the votives and statuettes in an almost religious display.  They do not disappoint!

The religious atmosphere of the Room with the statuettes and votives

The statuettes are of Roman household gods and – given we are here on the very edge of the Empire – they are of staggering quality and delicacy. The feature Venus, Juno, Vulcan, Mercury and other members of the Roman pantheon.

The votives are, for us, the stars of the show, largely because we have never seen their equal in quantity and quality. They are of extreme delicacy, made out of beaten silver alloy, and appear to have been dedicated in the household shrine for particular events or in thanksgiving.

As a build-up to this dramatic climax, galleries set out the history of the  Limes with some excellent graphics on the forts occupied in 160AD and their garrisons.  

Replica of the Battle Helmet found at Theilenhofen, east of Weißenburg on the Raetian Limes.

Other galleries feature key finds from the forts at Weißenburg displayed in thematic form – the soldiers’ equipment and armour, the countryside, and other topics. It’s all done very well and spaciously. 

This the large display of the Raetian Limes in 160AD filling one Wall.

The only disappointment is the ground floor where there are displays about World Heritage Sites – the Limes, like Hadrian’s Wall, is one – and lifesize auxiliary infantry and cavalryman, plus some perspex models of key sites which somehow don’t quite come to life.  

The Model of the North Gate of Weißenburg Fort

The Limes book shop is just nearby in an excellent combined café and bookshop.   There you can enjoy a Bavarian chocolate and cream cake and a coffee whilst contemplating the modern statue of Martin Luther outside the Church.  (No mistaking which side the Imperial City of Weißenburg was on in the Reformation.)  

The Limes Cafe and Bookshop
Featured

Verulamium Museum and Park

Overall Impact **** 4 stars Museum with excellent artefacts wonderfully displayed with thematic exhibits of Roman civil life

Roman Features ***** 5 stars Mosaics are many of the finest in Britannia, plus a lead coffin, wall paintings, a late antique horde of solidi and much more

Display **** 4 stars Thematic rooms work hard to bring the exhibits to life and explain how the inhabitants of Verulamium lived

Reconstruction **** 4 stars The restored rooms with wall paintings are superb

Access **** 4 stars Modern museum with good access. Car park handy for both Museum and Park.

Atmosphere *** 3 stars The Museum and Park are both branded Verulamium, but it is quite hard to visualise what the Roman city would have looked like: maybe some more illustrative boards around the park would help?

Other ***** 5 stars We reckon this is the second-best Roman museum in Britannia – and the best museum of civil life of the period. (We still have to give Vindolanda Museum the top spot!)

We were inspired by publishing our Brading Villa blog recently and, since the sun was shining, we thought we should have look at another Roman site.  (Our first idea was Silchester and the finds in Reading Museum’s Roman galleries but, alas, Reading Museum is not open on Sundays. )

So our choice fell on Verulamium Museum and Park at St Albans.  Thirty years ago we used to live in ‘Snorbans’ and a fine and distinctive city it is. Since then the old Museum – already good – has been refurbished, given a circular Roman-inspired entrance and had new galleries added.  Thank you National Lottery Fund, once again!

Is this the best dedicated Roman museum in Britannia?  

Original wall paintings restored in a reconstructed room

We think so – at least as far as civilian life is concerned (the latest incarnation of Vindolanda is simply stunning, obviously with a more military focus). Verulamium Museum sets out to be the museum of everyday Roman life and with dedicated galleries on trade and industry, life and death, and much else, it succeeds.  Verulamium was the 3rd largest Roman city in Britannia (presumably after Londinium and Camulodunum?) and the quality of the finds excavated by Mortimer and Tessa Wheeler in the 30s and by Shepherd Frere in the 70s are tremendous.  This thematic approach is quite commonplace these days but it’s carried through here with confidence and illustrated with some remarkable finds. Our favourites include:

1). The lead coffin from around 200AD from King Harry Lane with its scallop shell decoration and a rather witty video by the deceased (here wittily christened Postumus) describing his life and subsequent rediscovery. 

2).  The display of carpenters’ tools left behind while escaping the great fire of Verulamium in 180AD.

3).   A tiny statuette of Mercury with his ram, tortoise and cockerel, and wearing a tiny torc.  

4).  The remarkable Sandridge Hoard of 156 gold solidi, found by a fortunate metal detectorist testing out his new equipment.

5).  The inscription from the new Forum built in the reign of Titus which (most probably) mentions the Governor Julius Agricola, developing the pacified parts of the Province just as Tacitus describes. 

This is before we have mentioned the real star exhibits of the Museum – the mosaics and the wall paintings from the fine mansions of the Roman city. There are 3 mosaics in the main museum hall – a shell image in the centre, with a horned figure (possibly identified with Cernunnos, a woodland god) to the right, and a lion and stag to the left.  

The wall and ceiling paintings have been imaginatively displayed in reconstructed rooms, with the missing plaster and colours filled in. The overall effect is to give a real feeling of what a grand provincial mansion looked like.  What  strikes you are both the striking colours and compositions and the relative crudity of the actual workmanship – the representation of marble, for instance, is not at all convincing!  

The first galleries cover pre-Roman Verulamion: the area was a centre of the Catuvellauni, who under Cassivellaunus led the resistance to Caesar in 55BC. Later the Catuvellauni were ruled by Tasciovanus and by 10AD Cunobelinus was in charge. He conquered the Trinovantes and moved his capital to the Colchester area, but continued to rule Verulamion. Whilst Cunobelinus successfully avoided Roman intervention, under his sons Caractacus and Togidubnus in 43 AD the kingdom was invaded by Claudius.

After the Roman conquest the Trinovantes were conquered and a Colonia of legionaries planted at Camulodunum. However, the Catuvellauni become a client kingdom, possibly under the leadership of Adminius, another son of Cunobelinus who had fled to Rome before the Conquest. The burial from Folly Lane dated to AD50 appears to be the leader of the Catuvellauni under Roman domination. The rich burial features a chariot, an iron mail coat (above) and quantities of silver, all placed on the funeral pyre.

The Museum sits close to the site of the vast Forum of Verulamium, on which the Church is built. So all round you are the hidden remains of the City. There are three things to see in the Park – the mosaic from one of the town houses, the battered remains of the City Walls and the site of the London Gate.

Reconstruction drawing of the vast Verulamium Forum

Musée Romain de Lausanne – Vidy

Overall Impact:                **** 4 stars – small Museum but some stunning finds well set out

Access                                ***** 5 stars – easy access by all modes – it’s Switzerland after all!

Atmosphere                      **** 4 star – works admirably hard to relate finds to excavations

Other                                  *** 3 stars – great to find so much so well done for what is, when all said and done, a quite minor site!

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A reconstruction of the Roman house where the Museum is situated – note its suggested grand entrance pillars

The best finds from Roman Lousonna are displayed in a modern building situated within the surviving foundations of a very grand Roman merchant’s house with warehouses attached (or that is what it appears to have been).   You enter pay your CHF8 (concessions CHF5 and children free) then climb upstairs above walls with preserved painted wall plaster.

The quality of the finds from this small Gallo-Roman town of the Helvetii rather put the finds from small Roman towns in Britannia to shame – or at least it felt that way to us.  Here are just a few examples:

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A complex locking bar and key

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A bronze votive showing a libation being poured over a bull prior to sacrifice

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The standard of carving is very fine – note the reference to Lousonna

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The extraordinary horned head – maybe the god Cernunnos who appears on the Pillar of the Boatmen from Lutetia (Paris) now in Musée de Cluny?

The quality of carving on the various inscriptions is very fine. We thought the finest single artefact was the small but very detailed bronze relief of a priest pouring a libation over the unfortunate bull prior to sacrifice, thought to be a decoration from an altar.

The models of Lousonna are of the highest standard, comparable to the wonderful building models in the Museum of London’s Roman Galleries.   There is an English catalogue you can borrow to carry round with you, although sadly not available to purchase.

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Finally, the Museum goes to some effort with a re-construction of a sizeable cross-section of the excavation in a mock-up of a site hut, together with finds records etc on the wall to show how the dig had taken place.

So if you are in the area, don’t miss Lousonna!