Maison Carée, Nîmes

Overall Impact:               ******6 stars – one of best preserved/restored Roman buildings

Access                                ****4 star – public square open 24/7 but parking in old town hard

Atmosphere                      *******7 stars – almost off the scale, especially now it’s cleaned

Other                                  **2 stars – alas, nothing Roman in heavily restored interior

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Almost unbelievably, as devoted fans of Roman architecture and remains (being the sort of people who will travel many miles to look some bumps in a field and see in our mind’s eye just what that Auxiliary Fort must have looked like), we had never been to see the Roman Sites of Provence (Provincia) until this New Year.

We were, of course, blown away by what we saw.  As many people reading this will know, the Maison Carée (literally, the square house – although it isn’t) in Nimes (Roman    Nemausus) is arguably one of the best, if not the best, preserved Roman Temple facades.   It sits in the original space of the Forum, high on its 2.8m plinth with its white marble glowing in the sunshine.  The impact remains dramatic two millennia after it was built.

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The Temple was dedicated c4-7AD to Gaius Caesar and Lucius Caesar, the grandsons and heirs of Augustus, who died tragically soon after.  If you believe Robert Graves, after Suetonius, both were poisoned by Augustus’ wife Livia to open the way for her son and Augustus’ step-son Tiberius to become Emperor.   The lettering of the dedication (“To Gaius Caesar, son of Augustus, Consul; to Lucius Caesar, son of Augustus, Consul-Designate; to the Princes of Youth”) had been removed from the facade in medieval times, but in 1758 a local scholar reconstructed it from the fixing holes left on the front frieze!

What we see today is the fruit of several reconstructions starting in Napoleonic times with the removal of accreted buildings, through to 1992 when the square around it was cleared. It inspired Thomas Jefferson’s design of the Virginian State Capitol.

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The building is remarkable in that the portico forms a third of the length of the building, and there are 20 columns engaged with the wall.  The frieze is exceptionally fine, decorated with rosettes and acanthus leaves.

There is nothing left inside of the sanctuary and altars that must have been there.  Perhaps more could be done to give a sense of the numinous atmosphere it would once have had.  There is, however, a good explanatory film which takes an unashamedly pro-Roman stance on the benefits to the local tribal leaders of joining Caesar as auxiliary cavalry and aiding him in suppressing their Gallic brothers and defeating Rome’s enemies.  The film then flashes forward to show the wealthy and now thoroughly Romanised citizens of Nemausus worshipping the Emperor.  It’s beautifully done and the re-enactors must have had a great time making it.  There is a gratuitous dig at Arles for being founded by former Roman soldiers rather than by the indigenous Gallo-Romans!  The master self-propagandist Julius Caesar would have been mightily impressed.

You could spend a lot of time describing the Maison Carée, but the key thing is how absolutely striking and atmospheric it is – in the sunlight (which we didn’t have much of at New Year) and especially when floodlit at night.

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Hadrian’s Mausoleum, Rome

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Overall          4 **** bashed about but still huge and hugely impressive

Display         2 ** some bilingual display boards but bookshop shut!

Access           3 *** lots of stairs, crowds even in March

Atmosphere 2 ** there is not much of Hadrian’s work left above the circular ramp

Other             4 **** approached over Pons Aelius, surviving from 137 and it’s in Rome!

I have never been a fan of Hadrian and the more I read of him, the more I see him as the Emperor who put the Roman Imperial Project into reverse.  So Hadrian’s Wall is a Monument to the Roman Army’s failure to complete the Conquest of Britannia and a vast labour creation and energy displacement scheme for legionaries.  At least he didn’t give up Dacia as he gave up Mesopotamia.  I could go on…..

Augustus’ Mausoleum was full up by this time, and Hadrian never one for self effacement embarked on building his new larger edifice in 130, approached directly by a new Tiber Bridge the Pons Aelius (see another in Newcastle).   He probably knew that the Roman Senate who hated Hadrian for his Greek sophistry, beard and behaviours, would not support this after his death.

It is unclear exactly what the final Mausoleum looked like; reconstructions suggest a vast circular structure, topped by a hill with cypresses and perhaps a quadriga with the deified Hadrian ascending to the heavens on the top.

The Mausoleum has been knocked about since it was completed by Hadrian’s last minute adopted successor Antoninus Pius (pius because he completed it) in 139 just after the bearded one’s death.  It was incorporated in the Aurelian Walls in 271 as a redoubt, but that did not save it and Rome from being sacked by Alaric and his Visigoths in 410.  The ashes of Hadrian and succeeding Augusti are assumed to have been scattered at that time.  The statues around the top of the Mausoleum were used to drop on the heads of Ostrogothic besiegers in 537.

It acquired the title of Castel San Angelo after an appearance of the Archangel Michael to end the plague of 590.  Converted to military uses it became a Renaissance Fortress for the Popes – complete with an elevated escape corridor (the Passeto di Borgo) from the Vatican Palace used by Clement VII to escape Charles V’s mutinous soldiers in the Sack of 1527.

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As a Roman site it is strangely dissatisfying – the lower levels with the entrance niche where a gigantic statue of Hadrian probably stood, and the curving and rising corridor through the masonry are evocative, even with the swarms of visitors.   The so-called Chamber of the Urns having been turned into a Renaissance draw-bridge is not.  From then on the Mausoleum becomes the Pope’s Palace Fortress.

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Introduction to Late Roman, Ostrogothic and Byzantine Ravenna

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Overall Rating      ******    6 stars – stunning mosaics in sites across the City

Other                       Wow Factor!  The mosaics will blow your socks off!

Ravenna has been called the ‘Late Roman Pompeii’.  The marketing hype does not quite work since unlike Pompeii Ravenna has been continuously inhabited.  However it does contain the largest assembly of surviving Late Roman mosaics in a collection of remarkable buildings of the 5th and 6th Centuries.

The fact that although they are in one place over a period of 150 years and are stylistically similar, they are variously classified as Later Roman (or Late Antiquity), Ostrogothic or Byzantine demonstrates how fast the Mediterranean World was changing.  This is why we are writing this introduction to Ravenna to save repeating the history at each site.

This history is complex.  In the 4th Century Constantine and his dynasty, followed by Valentinian and his dynasty waged largely successful defensive wars against invading German tribes – Franks, Goths, Huns and Vandals.  They also divided the Empire into more easily defended zones, sometimes East and West but often more complicated, which although better defensively, resulted in destructive civil wars between rival Augusti who wanted to rule the whole Roman World.  These wars sapped the fighting strength of the field armies and the economic sustainability of the Empire.  Also German mercenaries and recruits became integrated not just into the armies, but also the high command of the Roman state.

Theodosius I (379-395) restored the East after the calamitous defeat by the Goths at Adrianople in 378.  He conquered the West twice, defeating his rivals at the Battle of Frigidus in 394, using German mercenaries as well as the Eastern Field Army to defeat the West.  He then died in Milan in 395, leaving the East to his eldest son Arcadius and the West to his younger son Honorius.  Guided by his half Vandal generalissimo Stilicho, Honorius ruled from Milan, but when in 402 Alaric and the Visigoths began rampaging round Italy, he retreated to Ravenna.

Ravenna was safe since it was surrounded by marshes and connected by a deep water canal to the long time Roman port and fleet base at a Classis.  It remained the “capital” of Italy until 751.  Ravenna in this period was the most prosperous city in the West, since it was the seat of authority and the principal port between Eastern and Western Empires.   There is evidence for more than 60 churches in use at this time.  Rome in contrast was sacked 6 times, its aqueducts cut and its grain supply from Egypt and North Africa stopped, declined catastrophically.

The magnificent surviving churches of Ravenna and their mosaics are connected with three great personalities of the period: the Augusta (Empress) Galla Placidia, the Ostrogothic King Theodoric and Bishop Maximian of Ravenna.

Galla Placidia was the half sister of Honorius, and after the Visigothic Sack of Rome by Alaric in 410, she was taken by the Goths as a hostage, and married in 414 to Alaric’s successor Athaulf.  On Athaulf’s death she returned to the Empire and joined Honorius in Ravenna.  She married the consul and general Constantius in Ravenna, who briefly deposed Honorius in 421.  After his death Galla Placidia was banished to Constantinople.  After Honorius’ death in 423 she returned to Ravenna in 425, ruling what was left of the Western Empire as Augusta, in her own right and in the name of her son Valentinian III.  She died in Rome in 450, and Valentinian was murdered in 455.

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Galla Placidia was the most important church builder in Ravenna over this period and built St John the Evangelist, in thanks for her safe return from Constantinople by sea in 425.

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She also built a large cross shaped church, to house a relic of the True Cross (Santa Croce).  Attached to the southern end of the narthex (vestibule) of Santa Croce she also built a smaller cross shaped building, which is traditionally seen (certainly from the 9th century) as the Mausoleum of Galla Placidia.

A Late Roman capital city must have a Cathedral and there is evidence that the Basilica Ursiana, was built by Bishop Ursus in the last decade of the 4th Century.  Alas the original cathedral was demolished in 1733!  However the baptistry built by Bishop Neon around 458 survives and is known as the Neonian Baptistry or the Baptistry of the Orthodox for reasons which will soon be apparent.  Also around the end of the 5th Century, Bishop Peter II decorated a chapel with mosaics, now known as the Capella Arcivescovile.

After Valentininan III’s murder, the Western Empire spiralled into extinction with Emperors little more than puppets of their Germanic generalissimos, until in 476 the last Emperor appropriate called Romulus Augustus was deposed by Odavacer the Herul, sending the Imperial insignia to Constantinople and ruling Italy nominally in the name of the Eastern Emperor Zeno.  By this time Spain and South West Gaul were in the hands of the Visigoths, Africa the Vandals and the rest of Gaul the Franks and Burgundians – Britain had long departed the imperial orbit, losing the use of money and central administration.

Zeno encouraged the Ostrogothic leader Theodoric to attack Odavacer and Theodoric took Ravenna in 493, stabbing it is said, his adversary to death in the Ad Laurata Palace in the City.  Theodoric was recognised as King of Italy by the Eastern Emperor Anastasius (491-518).

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Theodoric was a Goth but no barbarian.  He had been brought up in the Imperial Palace in Constantinople as privileged hostage.  He ran Italy with the advice of Romans like the philosopher Boethius and the administrator Cassiodorus.  Theodoric built himself a Palace in Ravenna, and its principal gate was known as the Chalke (bronze) Gate, like the gate of the palace in Constantinople.

Theodoric was a Goth and a Christian.  The Goths were converted in the mid 4th Century by Bishop Ulfilas.  Ulfilas followed the then prevailing orthodoxy of the Emperor Constantius of Arianism.  That is he followed Arius of Alexandria in believing that because Christ had been created by God he could not be fully divine.  This view of the Trinity was over-thrown at the Council of Constantinople in 381 when the doctrine of the Father Son and Holy Ghost Trinity won the day, and Arians became heretics.  So when Theodoric took over Ravenna and Italy the Arians were in charge.  Theodoric built a huge Arian basilica next to his Palace, which is now called S. Apollinare in Nuovo.   On Theodoric’s death in 526 he was buried in a splendid stone Mausoleum.

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He was succeeded by his daughter Queen Amalaswentha, who ruled in the name of her son or husband until 536, when she was succeeded by King Vitiges.  In 535 the Eastern Emperor Justinian launched a campaign to recapture Italy lead by his general Belisarius, who captured Ravenna in 540.  From then until 751, Ravenna was the seat of the Exarch who ruled whatever lands Constantinople held in Italy.

The arrival of Belisarius meant that the heretic Arians had been defeated and in 561 Theodoric’s Palace Church was rededicated and he and his court removed from the mosaics.

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The next great phase of building in Ravenna is associated with Bishop Maximian the orthodox bishop who arrived in 546.  Bishop Maximian dedicated S. Vitale in the City in 547, and S. Apollinare in Classe in 549, at the port some 5kms outside.  However it should be noted that both of these magnificent buildings were begun long before Maximian’s arrival and even before the Eastern Empire’s take-over of Ravenna in 540.  We know that they were both funded by one Julianus Argentarius, a banker.  So although totally Byzantine – the Imperial couple Justinian and Theodora feature on the mosaics, these churches also represent continuity across regime change in Ravenna.

In addition to the magnificent churches and palaces Ravenna  must have had fine buildings to house the administrators and generals of the Roman, Gothic and Byzantine regimes.  Most of these houses and baths have disappeared, but in the so-called House of Stone Carpets, we can see just how magnificent these dwellings would have been.

Ravenna eventually fell to the Lombards and then the Franks, Charlemagne borrowing statues and ideas for his new Holy Roman Empire capital in Aachen.  It is a remarkable survival of Roman Christian culture of different kinds, that disappeared from the West after the 8th and 9th Centuries.

Gallo-Roman Museum Saint-Romain-en-Gal, Vienne

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Overall          *** 3 stars – remarkable mosaics

Display         5  artefacts displayed as works of art, models exceptional

Access           4 large car park with underpass to Museum

Other             Museum almost overwhelms the exhibits!

Vienne was originally the capital (oppidum) of the civitas of the Allobroges, which stretched from the Rhone at Vienne to Lake Geneva.

This is a massive modern museum opened in 1996.  It displays the finds from ancient Vienne in a spare and light modern manner.  We saw it the day after the Museum in Lyon at Fouvière and although the permanent collection here contains some stunning exhibits – the mosaics stand out and are beautifully displayed, it is not quite its equal.

Outside there are the remains of the suburb of Roman Vienne, where the houses of wealthy citizens lined the road next to the palatial baths and exercise ground net to the Rhone.  There is a workshop for the mosaic restorers and a space of temporary exhibitions in a second building, which forms the entrance.IMG_9499

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Vienna became a Roman colony in 47 BCE under Caesar and was in the old Transapline Gaul – Provincia.  Herod Archaelaus was exiled here in 6 CE.  In the later Empire it became the place of collection of the annona or tax in kind from the Gauls.  As a result there are remains of massive warehouses lining the Rhone where the taxes were assembled before being transported to Rome.  These are displayed by a series of model reconstructions.

Perhaps as a result of this role, Vienne (Vienna) became the capital of the late Roman Diocese of Vienensis, at last equalling its rival just up the Rhone at Lyon.

Again as an inhabitant of Britannia you are left wondering at the wealth and display of the Gauls compared to our off-shore island!

When we visited there was a Roman festival of re-enactors in progress, one of several events staged each year at the Museum.  French re-enactment groups dressed appropriately lived like free-Gauls and Roman soldiers – sensibly kept well apart here.  Also various groups re-constructed ancient wine and beer making, medicinal herb preparation, Celtic and Gallo-Roman cuisine.  The tasting measures were alas depressingly small, although the re-enactments were impressive!

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Temple of Augustus and Livia, Vienne

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Overall Rating     ****     4 stars – almost complete early temple

Display                  *           1 – not much local information available

Access                    ***       in centre of city, parking difficult

Other                     Wow factor

In the centre of Vienne in the Place du Palais you can stumble across the Temple of Augustus and Livia.  This is an almost complete early Imperial Temple, and you will be amazed.  It was erected at the end of the 1st Century BCE and dedicated to Augustus.  In 41 CE Claudius rededicated it also to Augustus’ wife Livia his grandmother.  Claudius was born in nearby Lugdunum.

It owes its survival, like the Maison Carée in Nîmes to being converted to a Church after the Theodosian Decrees.  In the Revolution it was used for the Festival of Reason.  The columns on closer examination are scared by wall fastenings of earlier centuries.  It as restored in the 19th Century when the centuries of church were stripped from the fabric.  No chance of doing such drastic changes these days, so we should be pleased with the courage of those times.

This temple really impresses in its completeness, when you are used to temples surviving as just columns.  It is almost the equal of Nîmes and deserves to be better known.

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Gallo Roman Museum of Lyon

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Overall Rating      ****    4 stars – stunning unique exhibits

Display                   *****  5 – thematic, amazing building, bilingual

Access                     ***      3 – easy parking, buses from central Lyon

Other                       Wow Factor!

This is one of the best Provincial Museums you can find in the Empire.  Some of the objects took our breath away.

It brings together Roman finds from the Midi of France on the now familiar thematic basis, but when opened in 1975 ground breaking.  The building is brilliantly designed by Bernard Zehrfuss to fit into the hill alongside the Fouvière Theatres, and opened by President Giscard d’Estaing.

Colonia Copia Claudia Augusta Lugdunum was founded in 43 BCE by Lucius Munatius Plancus, it was the capital of Gallia Lugdunensis, the seat of the Sanctuary of the Three Gauls and the second most important city in the West – after Rome, with its own urban cohort and a population estimated at 50-100,000.  Both Claudius and Caracalla were born there.

You enter the Museum from the top and walk down a winding path, starting with inscriptions, moving through temples, domestic houses, trade and so forth.  There are some of the best exhibits you could find ranging from

  • a stunning ceremonial bronze age cart from 6th BCE,
  • fragments of the Altar to Augustus and Rome from the Sanctuary of the Three Gauls
  • the longest written inscription in Gallic – the Coligny Calendar (!),
  • Claudius’ speech on a large bronze tablet in AD 48 before the Roman Senate granting Gauls entry to the Senate,
  • silver statuettes buried during the 2nd CE Germanic invasions and
  • top rate mosaics like the Bacchus Mosiac from Lugdunum (Lyon) and the surrounding cities.

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These are just a few of the treasures.  There are numerous excellent models of temple precincts, city insulae, how the scene-lifting gear worked at the theatre and so forth.  There is a relief model of the surrounding area at the start, which by use of light projections orientates the visitor on when Lugdunum was founded by and then developed over the next 4 centuries.

There are bilingual French and English labels which is helpful and a well produced souvenir guide.

If we had to find a criticism it would be there is not enough on the later history and decline of Roman Lugdunum.  The overall impression is of the immense material wealth and artistic culture of the Capital of the Three Gauls.  Not to be missed!

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Theatres of Fouvière at Lyon

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Overall Rating       ****   4 stars – major monument in a dramatic situation

Display                    ***     3 – models and details in the adjoining Museum

Access                      ***     3 – easy to park or get there by Lyon city bus

Other                        The view!

This is definitely one to travel to see – as we did for the weekend.  Unearthed in the 30s, the Roman Theatre – the first in Gaul, is dramatically built into the hillside above the renaissance city of Lyon.  It was originally built c15 BCE, and was the Theatre of Lugdunum, the capital of the Three Gauls (Lugdunensis, Belgica and Narbonensis) where the Sanctuary of the Three Gauls was situated.  It was extended at the start of 2nd Century CE.

It is large semi-circle 108m in diameter and could seat 10,000 people. Although it is without the scaena (classical backdrop to the stage), you can get an excellent impression of what a classical theatre felt like.  You can clearly hear what visitors are saying on the stage from the upper tiers!

Next to it is an Odeon, a smaller theatre, which it is thought would be used for music and poetry recitals.  Both theatres are used for modern performances.

Although a breath-taking position with views over Lyon and around, if there is a criticism it is the lack of explanation at the site.