Introduction to Merida, Emerita Augusta

IMG_2288-1

Overall          6 ****** a must-see Roman Colonia with ‘one of everything’

Display         5 ***** informative bilingual display boards all around the City

Access           3 *** in a well laid-out archaeological park – parking is difficult

Atmosphere 6 ****** remarkable assemblage of Roman remains

Other             4 **** Merida has Spain’s Roman Museum (closed on Mondays of course!)

The Roman Colonia of Emerita Augusta was founded in 25 BCE by P. Carisius, legate of Augustus, for veteran soldiers (emeriti) from the bloody wars against the Cantabri in the north of the Iberian Peninsular.  The soldiers originally came from Legio V Alaudae and Legio X Gemina, and later from VI Victrix and VII Gemina.

Emerita guarded the principal crossing of the River Guardiana (Fl. Ana in Latin) and became the capital of the Roman Province of Lusitania.  The territorium of the Colonia stretched out as far as 100kms from the City.

The original settlement was probably a rectangle like a military camp, possibly with the surviving Arch of Trajan marking one of its gates.  Later, in the 3rd Century, a much larger city wall was built enclosing the amphitheatre and theatre in the north-east, to protect the City against the rampaging Franks and Alamanni who had by then broken into the Empire.

IMG_2374

Emerita contains a remarkable assemblage of Roman remains including a bridge of 57 arches over the Guardiana which carried the Roman road from Asturica Augusta in the north to Italica in the south. (See our separate post about the bridge.)

IMG_2347-1

IMG_2361

There are remains of the Forum and porticos, a Temple to Rome (wrongly called the Temple of Diana) adjacent to the Forum, and the remains of the Temple of Mars under the Church of Santa Eulalia in the west.

IMG_2315

The most remarkable remains are the “entertainment quarter” in the north-east, containing arguably the best-preserved Theatre in the Roman World for refined entertainment, a large Amphitheatre for gladiatorial games, and a Circus for chariot racing.

Excavations at the Alcazabar (later Arab citadel) have revealed Roman streets and insulae inside a Roman wall, and remains of the Roman dyke that protected the river quality, an ancient forerunner of Bazalgette’s ‘interceptor sewer’ in London.

Emerita had a large population whose water consumption required advanced hydraulic systems fed by two large reservoirs, both of which are still in working order.  The Proserpina Reservoir could hold 8 million cubic metres of water.  Two aqueducts fed the town.

There is also a stunning Roman Archaeological Museum with the finds from Emerita, in a modern building made out of replica Roman brick. Sadly the museum was closed on our Monday visit to Merida (although we did see it years ago), so we will need to review it on a future occasion.

So why the very high score of 6 stars?  The Bridge, Amphitheatre and especially the Theatre are wonderfully preserved, they are well presented and there are enough other key Roman buildings preserved (temples, porticos and aquaducts) that it gives you a real feeling for what a major Roman Colonia was like.

Amphitheatre at Merida

IMG_2237

Overall          5 ***** well preserved large amphitheatre

Display         4 **** informative bilingual display boards

Access           3 *** well laid out archaeological park – parking difficult

Atmosphere 4 **** has the melancholy air of most Roman amphitheatres

Other             4 **** next door to Spain’s magificent Roman Museum

We don’t particularly like Amphitheatres, for the simple reason of what happened there and the brutal and bloody aspect of Roman ‘civilisation’ it forces you to confront.  (The feeling of ‘preserved misery’ in the passages under the Amphitheatre at El Djem in Tunisia was palpable for us.) However, you cannot escape them: no provincial capital worth the name could afford not to have its Amphitheatre and the one at Merida is magnificent.

It formed of a large ellipse some 126m by 103m.  Crowd control was  as usual excellent, with 16 entrances, each of which accessed a stairway connecting the 32 vomitoria (entrance/exits) that opened onto the cavea (seating) for as many as 15,000 spectators.  There was a grandstand for local VIPs.  Clearly, as with Directors’ Boxes at the Emirates or the Etihad Stadiums, being visible in the best seats mattered in the  City’s social pecking order.

Inscriptions give the probable date of construction as 8 BCE, when Emerita Augusta was still only 16 years old and was expanding fast.  The emeriti – retired legionaries after whom the City is named – would no doubt have wanted their fill of games both to show their status and civilisation, and also for entertainment as in their ‘good old days under the eagles’.

Construction, like the Theatre next door, is of concrete and ashlars.  There is a fossa bestiaria (large pit) in the arena floor which was used for release of wild animals and other unpleasant surprises for the gladiators and victims of the games.

The Amphitheatre, as with all sites in Merida, has informative bilingual displays.  The more blood-thirsty in your party can learn that there were many different types of gladiator for the Roman ‘games enthusiast’ in addition to the retarii (net men) and the murmillones (full armour specialists).

The Amphitheatre is only part of a large well-displayed archaeological park in the north-east of the old city of Merida, complete with a world class Roman Museum devoted to Roman Spain.  There are some pretty good tapas bars and a brew pub opposite.  A ticket gives entrance to this zone and four other Roman sites.

Roman Bridge over the River Guardiana Merida

IMG_2390

Overall          4 **** remarkable survival through wars and floods

Display         5 ***** bilingual information with diagrams, some on Alcazaba above

Access           5 ***** a pedestrian bridge open at all times, parking on road nearby

Atmosphere 3 *** the view form the Moorish Alcazaba is superb

Other            4 **** a tribute to Roman engineering and construction

The Roman Road from Asturica to Italica crossed the River Guardiana (Latin Ana plus later Arabic Wadi = Wadi-ana).

In the river there is a central island that serves to break the force of the water in spate.  The original Roman bridges connected the City with the island and the island with the southern bank.  In the 17th Century the two bridges were connected with arches in the middle as well.

Today the bridge now has 57 arches of various periods and spans 792m making it the longest surviving bridge from Antiquity.  The best preserved Roman section is the one from the City to the island, identified by curved breakwaters up-stream.  Within the arches are spillways to reduce the resistance to flood-waters and no doubt a key reason this magnificent bridge is still here.  A remarkable survival!